Magnificat | SATB or SSA Chorus & Accompaniment | 15'
Available in 4 voicings: chorus with full orchestra; chamber orchestra;
string quartet & piano; or piano reduction.
Again and again, Trumbore finds herself drawn to poems and other writings that present a very human perspective on the divine. Lynn Ungar’s poem “Magnificat” contemplates Mary's words, wondering how magnifying God could mean making God smaller, in the form of a child. Just as the poem turns these words over, finding new meaning each time, the music spins these repeated phrases into new harmonic perspectives.
Ungar's poem grounds the traditional Christmas story in minute details like the urgent hunger of an infant. Her text, like all good poems, uses the small, precise, and confined nature of poetry to magnify our humanity.
Magnificat was commissioned through the following consortium:
The Carson Chamber Singers through the Carson City Symphony Association, led by Richard Hutton (World Premiere); North Shore Choral Society, led by Julia Davids (Midwest Premiere); Harmonium Choral Society, led by Anne Matlack (East Coast Premiere); and Cantabile Chamber Singers, led by Cheryll Chung (Canadian Premiere).
This work is available for SATB or SSA chorus with one of four instrumentations: chorus with full orchestra; chamber orchestra; string quartet & piano; or piano reduction.
This piece is available for purchase on Graphite Marketplace. If budget is a barrier to programming this piece with your ensemble, please reach out for flexible pricing options.
MAGNIFICAT
My soul doth magnify the Lord
said Mary, under circumstances
which make it something of a startling
utterance. Not I accept the will of the Lord.
Not I bow before the Lord.
Not even I give thanks to the Lord.
No, Mary, this young woman,
presumably unfamiliar with angels
or divine voices of any kind,
let alone those pronouncing
that salvation would grow inside
her ordinary flesh—this woman
who may be innocent, but hardly seems naïve—
says something remarkable.
My soul magnifies the Lord.
Who I am, what I do, how I choose
makes God bigger. As if God
were to slip between microscope slides
and appear in never-before-seen detail.
Which is, of course, exactly
what happens. Somehow,
in being magnified God gets small,
small enough to sleep amongst the straw
and the scent of farm animals.
God magnified becomes particular,
tangible, urgent as a hungry child.
And Mary, like so many women
before her and after, puts the baby
to her breast, where they both grow
vast in one another’s eyes.
—Lynn Ungar
© 2020 Lynn Ungar, from Breathe: Poems by Lynn Ungar.
CHAMBER ORCHESTRA INSTRUMENTATION
Flute
Oboe
B♭ Clarinet
Trumpet
Trombone (or Bassoon)
Harp (or Piano)
SATB Chorus
Violin 1
Violin 2
Viola
Cello
Double Bass
FULL ORCHESTRA INSTRUMENTATION
Piccolo
2 Flutes
2 Oboes
2 B♭ Clarinets
2 Bassoons
3 Trumpets
4 French Horns
3 Trombones
Tuba
Vibraphone
Harp
SATB Chorus
Violin 1
Violin 2
Viola
Cello
Double Bass